One thing that I am always very open about with people is
that I am a geek. Always have been, always will be. But something that I am not
so open about is that I love a good musical. Not sure why that is something
that I keep a little bit hidden, but I always have. Maybe it’s because it is
hard to look masculine while singing along to the soundtrack from Wicked…I just can’t pull it off. Still,
there is something inherently beautiful and grand about musicals that I am just
mesmerized by. But the process of transforming a well-known musical, such as
Les Misérables, into a movie would be a daunting task for any director. Lucky
for us Director Tom Hooper’s superpower just happens to be making fantastic
movies. That and the ability to fly, but only one is applicable to this review.
Storyline: Jean Valjean (Jackman) has been hiding his identity
from his pursuer, Javert (Crowe) for decades. Yet when Fantine (Hathaway), a
former worker in Valjean’s factory, is on her death bed, Valjean vows to care
for her daughter Cosette (Seyfried) as if she were his own. This is a decision
that will change his life, and the lives of many others, in ways that he could
have never imagined.
One of the things that I would think would be the most
difficult, when bringing stage to screen, would be to figure out a way to
insert dialog in to help move the story along. Musicals often include unsung
dialog in their performances to help move the story from one number to the
next. Films that come from musicals often do the same but normally extend the
dialog so the viewer doesn’t get too restless with number after number. This
movie refuses to do that. There may be a full paragraph of spoken words that
are not to music. The story is not only progressed by the musical aspect but is
enriched by it. Using the music to add depth to some already extremely deep
performances. Where most stage to film transitions buckle, this movie excels.
No comments:
Post a Comment