Django Unchained paints the screen red and the box office
green
What do you call someone that isn’t a fan of a particular
person but can’t help but to be a fan of that persons work? I’m very hard on
myself for listening to Kanye West because I think that he is a horrible and
ignorant person in real life. I openly make fun of Taylor Swift using
relationship after relationship to not only gain fame but to profit from her
“post break up” music, yet I tend to bob my head along with a lot of her music.
That may make me a little bit of a hypocrite, but I tend to try my best to
separate a person from their work. The same goes for Quentin Tarantino. I have
seen him in plenty of interviews and have always thought of him as someone that
considers himself much much more intelligent and important than he really is.
He comes across as smug and with a false sense of superiority. But it can never
be questioned that he is someone that will go down in history for his film
making. Reservoir Dogs (1992), Pulp Fiction (1994), Kill Bill (2003/2004) have
all been films that transcend the normal path of films and stand out as
classics that will stand up to decades of being reintroduced to generation
after generation of new viewers. This
past weekend I watched the newest addition to that body of work and I admit
that I believe this may be the most remembered of them all.
Storyline: Dr. King Schultz (Waltz) is on the hunt for a
particular bounty. The only problem is that the bounty he is looking for has never
been identified except by a slave named Django (Foxx). Schultz offers Django
his freedom in exchange for his help. Django agrees to help him, but only if
Schultz helps him find his wife and to free her from her current owner, Calvin
Candie (DiCaprio).
I honestly have
nothing negative to say about this movie. I was very uncomfortable when the
film first started because there is a gratuitous use of a very offensive word
used to describe African-Americans. Yet,
as many have pointed out, to assume that this word was not used as gratuitously
during that time period would be untrue.
This movie deals with some extremely uncomfortable truths about our nation’s
history that often make you feel very ill-at-ease…as it should. But the
majority of the film is handled with a sharp edgy comedy to it that allowed
everyone (regardless of race) to enjoy the film together. That is a rarity in
most movies that deal with this subject matter.
Speaking of actors that were truly on point in this movie, Foxx and Waltz both deserve gobs and gobs of praise for not only their fine acting, but also for their character interactions with one another. Amazing stuff.
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